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Dance Luminary Matthew Ball on Demanding Roles and Social Media Scrutiny: 'I Don't Feel Precious About My Body'

In the quiet atmosphere of a lounge near London's prestigious dance company, Matthew Ball requests a mint tea. The dancer's carriage is naturally upright, his arms muscular beneath a simple tee. During performances, dancers can seem as powerful gods, yet often offstage they are small. Not so Ball, whose tall stature is part of his popularity for heroic roles and partnering. With fine traits and piercing eyes, there's a touch of a brooding actor about him.

A Seamless Ascent to the Top

Now 31, Ball is experiencing the crest of a career that has advanced seamlessly. Raised in Liverpool, he faced minimal ridicule for his childhood passion in ballet. Entering the esteemed training institution at 11, he moved straight into the company and was promoted annually, attaining the top rank of principal in 2018. He has loved taking on substantial dramatic roles, especially the psychological angst found in a famed choreographer's works.

"Your breath is short, your legs get heavy, but it’s really a neural fatigue."

His upcoming starring role is as himself, in an "In Conversation" series designed to offer intimate insights into a performer's craft. He will walk the crowd through a role, demonstrating his cognitive workflow during performance. Even in lighter ballets, the challenge is profound. "Don Quixote is one of the toughest technically," he states.

The Mental Game and After the Show Feelings

What about following a performance, when he has pulled it off? "It's pretty good," he admits. "However because I'm trying to extract all the emotion out of it, and get immersed in the role, frequently I do feel self-conscious afterwards. After Mayerling I'm always thinking: God, what must people think?"

Offstage, Ball is thoughtful, polite, and prone to laugh at himself. But a choreographer previously remarked on a "kind of suffering in him." Is there? "I'm quite active in general, but I do have a melancholy streak," he reveals. "I kind of enjoy negativity sometimes. I've always felt that doubt has been an instigator for positive change."

Early Drivers and Artistic Inspirations

Ball's tenacity stemmed from early setbacks. Not excelling in competitions at school made him "driven!" This became motivation to prove he could succeed. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit fanatical," he recalls.

An upcoming endeavor is creating his own choreography. For Ball, "there's nothing wrong with." "Breaking the rules is compelling, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be loaded with substance, drawing ideas from literature, compositions, and art.

Close-Up Performance and Private Dynamic

He also is interested in staging dance in more intimate venues. "It was just really thrilling," he says of a previous experience. "You’re so close to the audience. I felt as if they were thinking: 'That’s a person, and they’re sweating.'"

Ball has created duets with his partner, fellow lead dancer Mayara Magri. The degree of trust between them is evident. "We first practiced on a beach," he says of a audacious lift. "It resembled Dirty Dancing." They are not typically paired on stage at their home company, which might be beneficial. "We’re both quite determined people, so it’s not always hunky dory," he admits. "But I feel like we’re each other’s favorite supporter."

Regarding Instagram and Physical Image

On Instagram, followers can see videos from his projects and images that showcase a athletic physique. Does he mind that the engagement can be somewhat focused on appearance? Not really. "The body is just what we work with, so I don’t feel very protective about it," he states. He relates it to seeing Michelangelo’s David—an object that can be interpreted on various ways.

Ball describes his early self as "eager for success." Has it lived up to his hopes? "I am conscious of how reality is a separate thing to the dreams you had as a young person," he reflects. He likely has another ten years of dancing left. "I guess in the future, I want to be a bit more gentle with myself."

MF
By

Michael Fleming

A professional poker player and strategist with over 15 years of experience, specializing in tournament play and bankroll management.

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